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Posts Tagged ‘Kindle’

Cristin Terrill, who took part in the first LWW Novelists’ Club in 2010 has her first novel for young adults coming out in 2013. It will be published on Aug 1 in the UK (Bloomsbury)  and in the autumn in the US (Disney-Hyperion).  It’s described as “A brilliantly brain-warping thriller and a love story that leaps back and forth in time – All Our Yesterdays is an amazing first novel, perfect for fans of The Hunger Games.” Click here to pre-order it on Amazon.

Cristin’s email says:  “Yours was the first creative writing class/critique group I was ever a part of, and it was definitely a big confidence builder for me, so thank you!”

Also one of the six participant on the same course was Annemarie Neary. Her novel A Parachute in the Lime Tree came out in the UK and Ireland last year. ‘Tense, edgy, beautifully written. I wouldn’t be surprised if it got nominated for a handful of prizes’  (Books Monthly, UK). Click here to buy Annemarie’s book.

Other people connected to London Writing Workshops have books out this year. Lane Ashfeldt, who talked us through the mysteries of crowd-funding at the seminar ‘Going Digital’, has now brought out her collection of short stories  Saltwater.  ‘Raw and elegant’ (Bookmunch),  ‘A gorgeous collection by a bright talent,’ (writer and poet Nuala Ní Chonchúir). Click here to buy Lane’s book or for the Kindle version, click here.

Also at ‘Going Digital’, Jane Rusbridge, talked about using social media to publicise her second novel Rook, voted Guardian Readers’ Book of the Year, and described by the TLS as: ‘A mesmerising story of family […] which brings to life the shifting Sussex sands and the rich seam of history lying just beneath them’.  Click here to order Rook.

Jaqueline Jacques who attended the event has a novel out from Honno this year: The Colours of Corruption.  ‘A Victorian murder mystery with a strong and interesting central character, a police artist. A nice one’  says the review in The Bookseller. Click here to buy Jacqueline’s book.

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Mainstream publishing suddenly seems to have fallen in love with the idea of issuing short stories in digital formats. Orbit Short Fiction, the science fiction and fantasy imprint of the Hatchette Book Group which launched in the US in April, has announced that it will be publishing short stories in the UK from the start of 2012. And last week, Dan Franklin announced that Random House is launching a company-wide short story brand called Story Cuts, which will publish stories by the likes of Ruth Rendell and Julian Barnes.

The Bookseller reports Franklin as saying: “This is the iTunes model, really. It hasn’t ever been applied to books yet . . . ‘ Not so!! In the UK, Etherbooks and Shortfire Press are two digital-only publishers that have been specialising in short fiction for quite some time.

Etherbooks have a free app available from the AppStore, and via that you can download short content by various authors –  including Paul MacCartney, Hilary Mantel and me – at various prices (mostly 69p). Shortfire stories can be read in PDF form or on Kindles, e-readers and mobiles and cost 99p.  Both companies have been active  for some time and can be congratulated on being ahead of the pack.

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This week, ‘super agent’ Ed Victor announced that he is setting up a new digital and print on demand publishing venture, Bedford Square Books, which will release six titles by authors his agency represents this September, with another six planned for January 2012. Authors’ royalties will be 50% as opposed to the 26% traditionally on offer from publishers for ebooks.  Now, The Bookseller reports that agencies Curtis Brown and Blake Friedman are planning to follow his example. Agent Sonia Land has already made 100 of Catherine Cookson’s out of print titles available as e-books, apparently frustrated by the lack of interest from the traditional publishers. She reacted to the news of Bedford Square Books by warning publishers to “rethink their legacy operation”.

In July last year, US literary agent Andrew Wylie (AKA ‘the Jackal’), created an imprint called Odyssey Books and struck a deal with Amazon to make a number of classic titles by some of his extremely famous clients –  for example, Philip Roth’s Portnoy’s Complaint, Nabokov’s Lolita – available on Kindle. Random House reacted furiously by declaring that it now regarded the the Wylie Agency as a direct competitor. In the end Wylie was forced to scale down his plans, although books like Brideshead Revisited and The Naked and the Dead are still available on Odyssey.

As yet, Ed Victor’s move has not attracted such ire. The CEO of the Publishers Association, Richard Mollet, wished Victor luck and added that he “hope[d] he would consider joining the PA”.

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There’s an interesting article on e-publishing in the Irish Times by Declan Burke who recently bought back the rights to his own conventionally published debut novel and then re-published it on Kindle.

Burke argues convincingly that the arrival of the ebook won’t make printed books obsolete, but it will have a fundamental impact on the way mainstream publishers operate in the future. He quotes Stephen Leather, a best-selling author of conventionally published crime thrillers who has recently begun publishing his backlist in electronic form: “Publishers will [..] have to take back the role that they relinquished to agents over the years,” he says, “and start to look for new talent again. In America, Amanda Hocking has gone from selling more than a million self-published vampire and zombie ebooks to signing a $2 million deal with a leading publisher. I think the smart publishers will all now be looking for the next Amanda Hocking. And the best place for that is to take a look at the ebook bestseller list.”

Read the full article here: Irish Times

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