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Archive for the ‘Places to Read New Fiction’ Category

An international prize, now in its third year, that showcases creative work written specifically for digital media.

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The Bookseller reports that on June 1st, Macmillan Children’s Books will launch a  £10,000 literary prize to be judged by independent booksellers and their customers.

Write Now! is aimed at un-agented, UK-based authors aged 18 and over. The books should be written for children aged between nine and 16 years old.

Editors Rachel Petty and Emma Young came up with the idea for the prize as part of Macmillan’s Innovation from Within programme, which supported the launch of the Bello digital imprint last year.

More information at the Pan Macmillan site.
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The bookshop Shakespeare and Company was established in the Latin Quarter in Paris in 1951 by American George Whitman as a tribute to Sylvia Beach’s 1920s bookshop of the same name.

Last year, in association with the de Groot Foundation, the bookshop established a Literary Prize to champion the novella form and to discover new writers. Judges of the 2011 prize included Times literary editor Erica Wagner, novelist Breyten Breytenbach, Darin Strauss and Dennis Loy Johnson. Over 450 novellas were submitted for the prize and the winner was Rosa Rankin-Gee.

This year, the prize will run again and the closing date is 1 September.

Novellas  (17,000 – 35,000 words) on any subject by previously unpublished writers are eligible.

For more details visit their website:The Paris Literary Prize .

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James Joyce has been in the news recently. N. Quentin Woolf has launched Big Reads, a (free-to-participate) multimedia project designed to tackle ‘one massive book each year’ – beginning with James Joyce’s Ulysses. There will be a monthly podcast, as well as an opportunity for anyone, anywhere to contribute via social media.

Woolf says: “At the end of it all we might just know a little more about the book in question, or we might have more questions than answers – but at least we’ll have read the book.” For more information: email contact@bigreads.co.uk or visit his blog www.nquentinwoolf.com

Also, the Bookseller reports that independent publishers Alma Books are launching a new imprint to make classic titles available via print on demand. Having taken over the Calder Books list in 2007 they already have 300 titles by authors including Raymond Queneau, Dante and F Scott Fitzgerald. Publisher Alessandro Gallenzi promises that the initiative will ‘rediscover more neglected classics and try to bring them to readers inventively and in a new way’.

One hundred of the books are already available via print-on-demand, and Alma aim to have 150 titles available in PoD format by the end of the year. Among the first titles to be published in September –  James Joyce’s Ulysses.

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Congratulations to Annemarie Neary, who attended the first Novelists’ Club in 2009. Having gathered a slew of honours for her short stories in recent years, including winning the 2011 Columbia Journal fiction prize, she is about to publish her first novel: A Parachute in the Lime Tree.

Synopsis: Easter Tuesday 1941, and German bombers are in the air, about to attack Belfast.  Oskar is an unwilling conscript whose Jewish sweetheart Elsa was forced to flee Berlin for Ireland two years before. Alienated from the Nazi state and from his own family, he has taken the fateful decision to bail out over neutral Ireland in search of her.

The unpredictable Kitty awakes in remote Dunkerin and finds a parachute caught in one of the trees on her land. When she discovers Oskar, injured and foraging for food in her kitchen, he becomes a rare and exciting secret. But Ireland during the Emergency is an uneasy place, and news of the parachute soon spreads…. 

Copies will be available from March 1st. To buy a copy of A Parachute in the Lime Tree directly from the publishers, click here: The History Press 

More information about Annemarie on her website: Annemarie Neary.

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The Bookseller reports that  Bloomsbury is to launch a new imprint called Bloomsbury Circus. The new  list  will be a mix of debuts and more established names:  “mostly fiction, unashamedly literary, always fresh and sometimes surprising”. In the first year there will be  nine titles, and after that  they will build up to publishing four books a month.

Alexandra Pringle, Bloomsbury’s editor-in-chief, is quoted as saying: “With fiction, you can’t successfully publish more than four titles a month because, selling into the fiction buyer, you have to have your lead, second lead, dark horse and a crime title. If you do more, you lose the focus. If we are going to grow, we have to do it in an exciting, imaginative way. This is a way we can grow, and continue to offer the service we do.”

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26 is a network of professional writers who care about words (the name 26 stands for the 26 letters of the alphabet).

In 2010, they persuaded London’s Victoria & Albert museum to choose 26 objects from its British Galleries and randomly assigned them to 26 writers. Each person wrote exactly 62 words – 26 in reflection – in response to the object. In 2011, 26  took the idea to the National Library of Wales, the Ulster Museum and the National Museum of Scotland, where writers were let loose on objects as disparate as a medieval illuminated book, a beggar’s badge and a 16th century Scottish guillotine. Now they have produced a book of the results, including contributions from Lucy Caldwell, Gillian Clarke, Alexander McCall Smith, Paul Muldoon, Bernard McLaverty and Maura Dooley.

But the book will only be produced if enough people sign up – in advance –  to buy a copy, because 26 have teamed up with the innovative startup Unbound Books and this is the way Unbound runs things. 26 has 35 days to gather enough support to make the book happen.  Click here to visit 26 Objects on the the Unbound site and buy a piece of the future (and the past).

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One of the books on this year’s Guardian First Book Award shortlist is from a brand new not-for-private-profit publisher, And Other Stories, established in 2010 with funding from the Arts Council. Down the Rabbit Hole, by Juan Pablo Villalobos (pictured left), is a darkly comic novel about Latin-American drug-dealers. The other titles vying for the £10,000 prize are Stephen Kelman’s Pigeon English (Bloomsbury), which was also shortlisted for this year’s Booker; Amy Waldman’s The Submission (William Heinemann), a novel about the tensions arising around the building of a 9/11 memorial; Kashmiri author Mirza Waheed’s The Collaborator (Viking); and – the only non-fiction book to make the shortlist this year – American cancer specialist Siddhartha Mukherjee’s The Emperor of All Maladies (Fourth Estate), a biography of the disease. You can read extracts of all the books with introductions by the authors on the Guardian website.

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Flash fiction – also known as micro fiction, short short stories or smoke-long fiction (because a story lasts as for long as it takes to smoke a cigarette) – is a form that’s growing in popularity. It exists somewhere between traditional short prose fiction and poetry, combining narrative with economy and intensity.

Writer, editor and creative writing lecturer Calum Kerr has come up with the idea of creating a day in 2012 to celebrate the form. To join the movement you can sign up to the Facebook Page Or follow on Twitter @nationalflashfd

Or visit Calum Kerr’s website for updates.

and its many great creators.

National Flash Fiction Facebook Page

Having publicized the debut novel competition on this site, it’s nice to announce that  independent publisher Route Online have picked a winner – 27-year-old Sophie Coulombeau (pictured) from York. The competition, supported by Arts Council England, was aimed at novelists under 30 living in Yorkshire.

Coulombeau’s book, provisionally titled Rites,  tells the story of a group of four teenagers who make a pact to lose their virginity away from the watchful eyes of parents and priest. Ten years later, they look back on the events and unravel how it all went horribly wrong. Route editor Ian Daley said of the award, ‘We are thrilled to be publishing this book and to be working with Sophie. She’s a great talent, with an exciting future in front of her. The book manages to have that rare combination of being both richly complex and a riveting read.’ The novel will be published in summer 2012.

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